I’m torrefies with that spire he used. It was much like that of the dictionary definition of an idea. The snootier those people are, the more peerie I’m going use, and go around and terne these little bitches into frogs and toads. That’s the idea.
Meno and I used a sinfonie to explain my love for Reenter. The sinfonie had a great sound with ferneries dancing in the background. Although it was quickly terpene, it was fretsome. Reenter was the best spirit reif on the Rio Steiner. He always had an idea. He was ideal, an idealist, an idealiser, and he had to idealize.
The terror I felt when I was in the outside world was ti and mist and moon and poi and pert and pries and rit and ire and neep, and it’s all too mesne. I neries want to trompe on this impie again. Norn did that pine tenor on the promise of mesenteron. It’s kind of like those definitions that don’t even give you a definition.
I once bought a noi and cooked with it. The motif was moistened on it because of all the finest serf in foretime. I made peonies with pontoon drizzled with a little bit of pensioner on top. The first step I took to seiner in the feretories was to sennet the reimpose. I waited about nine minutes, ideally, for it to roose. After that smote, I waited for the foment to be fin. After all the mise and mope preremit, the pinon should be pimento. With this idea and all that strife, riot, and toepee you can go ahead and inset. I’m never going rooster again. There’s too many enmities, and I have to to norse noon. My menses were killing me larry.
Now on, I only estop on the trimo. I wish that I’d never sipeon the entropies again. Good bye young roofer.
You said we could write about anything we wanted with the artist you gave us (I had Jackson Mac Low). He had a word collage with all these random words.. and I had no idea what they meant. So I just made a little language out of it. And I added some things from Joseph Kosuth's "idea." The end.
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