Thursday, July 23, 2009

Perform! Now!

Hi Class: I'm participating in a show that should be fun this weekend.

Go to: http://www.facebook.com/event.php?eid=119488120824

Description 

PERFORM! NOW! is a performance night in Chinatown. The first event of new visual and sound art performances to be held in Chinatown by Los Angeles artists, will be held on and around Chung King Road, Los Angeles on the 25th of July from 6pm-12am. 

Featuring approximately 20 performances, including performances by Nao Bustamante, Marcus Civin, Simone Forti, Micol Hebron, Dawn Kasper, Simon Leung, Dani Tull, and Aaron Sandnes, PERFORM! NOW! will be Chinatown’s first collaborative performance event hosted by resident galleries. The galleries participating include China Art Objects, Chung King Project, David Patton Gallery, Charlie James Gallery, Jancar Gallery, Parker Jones, Mihai Nicodim, David Salow, Sister Gallery, Thomas Solomon Gallery, Solway Jones, The Box, and The Company.

Participating Artists: Maura Brewer; Nao Bustamante with Ashland Mines; Marcus Civin and Sandy de Lissovoy; Joe Deutch; Alexis Disselkoen and Performers; F-Stop Serenade (Mark Cosmo Segurson, Pilar Diaz, James King, Heather Lockie, Noah Smith, Michael Uhler); Simone Forti and Performers; Liz Glynn and Performers; Gold Cobra; Micol Hebron; Kathleen Johnson with Stephanie Taylor, Dominique Cox, John Gold, Jennifer Patton; Dawn Kasper; John Kilduff; Joel Kyack; Simon Leung; Lucas Murgida; Vanessa Place; Aaron Sandnes; Dani Tull; Margo Victor; Lisa Williamson and Sarah Conaway.

The entire program of performances will provide the audience with an exciting interactive exploration of the world-renowned Chinatown community of galleries. For one evening, the gallery spaces and surrounding outdoor areas will present various performances engaging viewers from a broad range of interests. Breaking down barriers with a variety of performative materials from new visual art, dance, film, theatre, and music. Including new commissions and re-creations of seminal performances, PERFORM! NOW! will utilize the historic Chinatown neighborhood as a backdrop for work by artists at 12 different venues.

Programming will include a schedule of live performances and parallel exhibitions that will provide critical and historical contexts for the new work produced.

PERFORM! NOW! is made possible by the generous support of ForYourArt.

This event will feature performances of 2 important dances: Simone Forti’s Dance Construction, “Huddle,” will begin at 6pm at The Box; and the artist Simon Leung will dance Yvonne Rainer’s “Trio A,” at 10:30pm, on the pavement of Chung King Road. 

Simon Leung learned “Trio A” from Rainer in ten easy lessons last fall, after wanting to dance it for twenty years. Rainer suggested the title of this performance, “Simon Leung dances Yvonne Rainer.”

Simone Forti’s Dance Constructions, first performed in the loft studio of Yoko Ono in 1961, create circumstances for the performers’ direct, non-stylistic actions. “Huddle” is comprised of a tightly-massed group of seven or eight people who take turns climbing over the top.

The Company, 8PM: Margo Victor will create a performance that will act as a live trailer for her future experimental film project. Similar to her re-interpretation of the western genre with her film "The Rotten, Riotous West," Victor will reference Shakespeare's "Macbeth," using live iconography from the story. 

The Company, 9PM: Dawn Kasper will create a live action visual poem entitled "fuck you and your goat too...or something" using words, movement, objects and sound. Activating the space around her, Kasper formulates experiments within which to prove or disprove everyday life and its many emotions via acknowledging the exposure of process.

At 7:30pm, at Jancar, host John Kilduff presents (live!) his A.D.D. cable access television show “Let’s Paint TV.” John Kilduff doesn't just paint. He paints while jogging on a treadmill, cooking food, mixing drinks, taking calls from the public and hosting a psychadelic TV show.

Starting at 8:00pm, Chung King Project will present a program of performances by Nao Bustamante, Maura Brewer, Marcus Civin and Sandy de Lissovoy, Liz Glynn, Vanessa Place, Lisa Williamson and Sarah Conaway.

In Nao Bustamante’s performance event, “Silver & Gold,” Bustamante transports between live action and video narrative. Stirred by legendary filmmaker Jack Smith, Bustamante interprets Smith's muse: 1940s Dominican movie starlet Maria Montez. Bustamante will embody Miss Montez, taking the spectator on a bizarre and radical journey finding a new bejeweled body part, which is at once her curse and oracle. 

Maura Brewer’s “Face Transplantation and Depression,” a synchronized video and live performance, tells the story of the world's first face transplant operation. The performance is styled after a self-help seminar, and addresses issues of identity, kinship, and depression.

Marcus Civin and Sandy de Lissovoy will present a new collaboration, titled “Johnny Angel,” a romantic comedy with a seedy underbelly. Civin will perform a duet with de Lissovoy’s sculpture. Tormented by holes and a by a string of balls, Civin will agitate a table, and convince that table to revive itself as a sandwich board.

In other performances on the Chung King Project program, Liz Glynn will amass a band of torch-bearers, and Vanessa Place will read a Statement of Facts from a sex offense case: a narrative account of the evidence for the prosecution and for the defense. Lisa Williamson and Sarah Conaway will give a lecture/presentation about actions with iron pipes, and dream funeral actions about a dead mouse.

Starting at 8:30pm, David Patton will present a performance by Kathleen Johnson, “Brainchild Saturday.” This performance will be a song poem, with musical arrangement by Stephanie Taylor, sung by Dominique Cox, with accompanist John Gold and Jennifer Patton.

On-going and durational performances by Alexis Disselkoen, Micol Hebron, Joel Kyack, Lucas Murgida, and Aaron Sandnes will take place throughout Perform! Now!.

Alexis Disselkoen will gather volunteers in singles, couples and triples, and connect them to make the art viewer into art themselves. Performers will be connected to themselves and others, by costumes: holding hands, arms at the sides, arm in arm, and arms around each other’s shoulders.

As part of an ongoing, intermittent series of performance pieces that recuperate iconic gestures of her modern and postmodern male predecessors, Micol Hebron’s “Wall Whore” will revisit Warhol's commentary on Pollock's action paintings at David Salow Gallery.

Joel Kyack will be running back and forth, and back and forth, across Hill street, in Chinatown, for days. Lucas Murgida’s participatory installation at Charlie James Gallery will examine our sense of taste in order to dismantle the future. 

Aaron Sandnes will perform “Flying False Colors,” which employs a huge flag to invoke romantic sentiments of freedom and also thoughts about nihilism and destruction.

Joe Deutch will perform at 11pm at Parker Jones.

Music will round out the Perform! Now!. Sister will present F-Stop Serenade (Mark Cosmo Segurson, Pilar Diaz, James King, Heather Lockie, Noah Smith, Michael Uhler) and Gold Cobra will spin records for “Single Nights by Club Records.” In a rare solo performance at Solway Jones, Dani Tull will use vintage organs and synthesizers, guitars, modern technologies and hand-made instruments, to create exotic ambient, polyphonic sound works that intertwine pre-recorded and improvised live musical performance.

The entire program of performances will provide the audience with an exciting interactive exploration of the world-renowned Chinatown, Los Angeles community of galleries. For one evening, the gallery spaces and surrounding outdoor areas will present various performances engaging viewers from a broad range of interests, breaking down barriers with a variety of performative materials from new visual art, dance, film, theatre, and music, including new commissions and historic reconstructions using the historic Chinatown neighborhood as the backdrop for work by over 30 artists at approximately 12 different venues.

Programming will include a schedule of live performances and parallel exhibitions that will provide critical and historical contexts for the new work produced. All the events will be free and open to the public with an expected attendance of over 500 guests.

SCHEDULE...
8:00PM
Performance Program @ Chung King Project, 936 Chung King Road
8:00PM “Face Transplantation and Depression” Maura Brewer
8:30PM "Sparkling bays, glistening glaciers, the midnight sun" Lisa Williamson and Sarah Conaway
9:00 “Silver & Gold” Nao Bustamante, guest staring Ashland Mines 
9:40 “Statement of Facts” Vanessa Place
10:00 “Johnny Angel” Marcus Civin and Sandy de Lissovoy
10:20 Liz Glynn and Performers

Tuesday, July 21, 2009

King of Pop

‘Calmness sets in, I am not afraid,’ I try to tell myself as the newscaster interrupts my Tyra Banks! The newscaster’s randomly modulating voice comes through the television… "Ahem… LIVE at the King of Pop's funeral here at the Staples Center, we are receiving shocking reports of a deranged man attempting to block the path of army tanks by standing in front of the moving machines. President Obama ordered the tanks out earlier today to stop the riots occurring when thousands of mourning fans crashed the Hollywood event, fighting their way into the memorial service".

I think to myself, 'Enough about Michael! I just want to watch Tyra try on outfits and talk about the best jeans to camouflage my extra large pear-shaped booty!' But wait, the camera zooms in on the crazed man’s face. 'Gasp… could it be… It’s Michaels brother, Jermaine Jackson! Risking his life for his brother… or is he trying to cash in on the drama somehow?' The answer to this we will find out later in his Barbara Walters interview. When she asks the question, “What were you thinking when you stood there with tanks coming at you?” In his gentle voice he will reply, “my fear threatened to cripple me, it really did, but those fans deserved to say goodbye to my beloved brother. So I knew what I had to do and as the tanks were getting closer; I hardly had to remind myself to not back down. I knew in my heart I could not give up. I would become a part of that pavement before I lost that fight. My brother is everything to me and the chaos was part of the love the fans were showing for him.”

The cameras were able to get a close up on Jermaine’s face. He was white with fear, or was that makeup? And he was saying something… He seemed to be repeating himself under his breath. I had to make it out. I studied the movement of his mouth. ‘What could he be saying?’ “And 1, stand with feet together, face directly forward with your eyes on the tank. And 2, if tank moves to the left step to the left, moves to the right, step to the right. And 3, hop on tank, grab crotch and shout hee hee!” He executes his course of action the best way he knows how, in step-by-step routines just as his father taught him from the time he could walk.

The driver, at first, attempted to go around him. I could only imagine what must have been going through his head… ‘Okay if I charge this guy with a thousand pounds of steel, he has no chance. I’ll have to maneuver this thing around him. Oh shit this crazy fucker is just going to follow me. This pile’s too slow for him. Ahhh! I can’t believe it! He’s on my tank doing Michael Jackson moves… I must be dreaming. Get this guy outta here!’

I am so involved in what I am seeing I don’t notice my little brother hurling the remote control directly at my head. My fascination quickly turns to the blood spewing from my eyebrow.

Monday, July 20, 2009

World of Text

Sekula (4:06pm): Wow bro! I’m realizing
I really couldn’t live without text!!!
Brecht (4:07pm): Ya me either, I’d die if I
couldn’t twitter…
Sekula (4:07pm): No not that kind of text!
I mean text incorporated into my art. I
am a photographer n my work wouldn’t
mean shit if it didn’t include text
Brecht (4:09pm): Oh that kind of text lol!
I agree, I’m big on Fluxus, we use a lot of
short texts (scores) which are totally
essential to our conceptual work.
Sekula (4:09pm): WTF’s a score?
Brecht (4:12pm): Duh… scores are
simple instructions to complete
everyday tasks, that are then performed.
I also call these scores chance events or
happenings, it’s sooo important in my
world of art making :)
Sekula (4:13pm): Hmmm interesting...
The text I use are anything but brief.
Actually, I’m working on a piece now
called This Ain’t China. It just wouldn’t
be the same if I couldn’t use text.
Brecht (4:13pm): Oh ya? What kind of
text does it use?
Sekula (4:15pm): Well it is a series of
about 90 photographs, distributed
into a sequence of five groups. I’m
gonna install the photographs into
the art gallery and hanging above each
group I’ll have an entire book
attributed to it. The books are gonna
be hung on chains and a chair below
for the reader to sit down and read the
text. I consider the piece to be a sorta
photo-novel with actual books!
Brecht (4:15pm): Wow thats interesting
my piece is similar (in some ways) to
yours.
Sekula (4:15pm): How’s that?
Brecht (4:16pm): LOL well I use chairs
too in the piece I’m currently working on,
it’s called Three Chair Events … I would
consider my work more conceptual
though… I’m all about chance. You could
call my work anti-art
Sekula (4:16pm): Huh? Anti-art? What
kind of piece is this?
Brecht (4:18pm): Well my piece is an
installation as well but it’s not set up for
the audience to view it in that way, I
actually set it up to sort of blend in with
the gallery. The actual parts to the piece
are pretty minimal but like I said it’s all
about the simple everyday chance
occurrences that I’m into…
Sekula (4:19): Okay, so it is chance you
are after? What significance do these
everyday “occurrences” hold?
Brecht (4:22): Well in my piece I
arranged three chairs, one black chair
I set in the bathroom, one yellow chair I
set outside the front of the gallery doors
and the other chair was white and setup
under a spotlight. The action of someone
sitting on the chair, or even passing it by,
is reframed as an “event”.
Sekula (4:23): I still don’t get it? And
where is your text???
Brecht (4:24): Oh ya, that’s what I was
getting at. The score I talked about earlier,
like a lot of my other scores, was set up like
this… It has a title, and then three possible
occurences…

Three Chair Events

-Sitting on a black chair
Occurrence.
-Yellow chair
(Occurrence.)
-On (or near) a white chair.
Occurrence.

Sekula (4:25pm): That’s your text?
Brecht (4:26pm): Yep, that’s it!
Sekula (4:29pm): Wow bro... your text
sounds kinda lame, I use text to set up
a multi-faceted narrative between books
and photographs, that are totally
interdependent in getting my point across.
My work actually has purpose and a political
aim. I critique contemporary late capitalism,
making critical contributions on questions
of social reality and globalization, and focus
on the imaginary and material geographies
of the advanced capitalist world. The text in
your "piece" sounds like a joke!
Brecht (4:31pm): Thats just it dickfor!...
How'd I know you wouldn't get it?! And I
wasn’t going to say anything but your
piece sounds pretty wack, just another
boring installation. One more numbnut
unable to escape his institutional bubble
Sekula (4:32pm): hahaha please! you
have no idea! I will never get
douschenozzles like you! Peace OUT!
Brecht (4:32pm): Mmhmm, later
dickwad :P

Saturday, July 18, 2009

If I ruled the World

H

If I ruled the world, I would Help the Hopeless reach Happiness as we Hoist each other in Harmony. I would speak Hello and Hang my Hat on selfishness that Has plagued me. If I ruled then that Haunting would disband as I Hold the Hand and guide them as their Hero. With a Healthy Heart, none would Hurt in a Harshly existing world. No more Harm or Hate, and bringing the world to a new Height in History, I will Hurry and Handle the creation of this Haven in Hype. I shall make Haste in the Heat of the moment, serving as the angel that plucks this Harp and Harks to thee. No Hack to Hint, no Hoax to be Had, and while Hailed as mystery,

I will Host Harmony....

IDEAS

The forming of a conceptual plan is when an idea generally has the appearance of simplicity but is freed from logic

Forming ideas has the appearance of simplicity, freed from logic

Ideas are freed from logic

Ideas are logic-free

Ideas are "free"

Big Fat Lie

A big fat lie is trouble,

as in

it could get you out of it.

A big fat lie is helpful,

as in

only if you don't need help.

A big fat lie is also known as BS,

as in

you're going to need a huge ball sack to lie.

A big fat lie is what I'm writing,

as in

everything I'm writing is absolutely

true.

~ Chin Ngo

Wednesday, July 15, 2009

Conceptual Art

Sol Lewitt – Paragraphs on Conceptual Art (1967)

  1. “Conceptual art is only good when the idea is good.”
  2. “Successful ideas generally have the appearance of simplicity because they seem inevitable.”

Book Definition

  • Plan – plan would design the work
  • Form – the form becomes the mean
  • Concept – all of the planning and decisions are made beforehand and the execution is a perfunctory affair
  • Idea – process of conception and realization with which the artist is concerned
  • Mystic – they leap to conclusions that logic cannot reach

Own Definition

  • Plan – preconceive design of the work of art
  • Form – form is when and how the concept is materialized
  • Concept – general direction of the matter of the piece
  • Idea – the steps and components that implement the concept in the artist’s mind
  • Mystic – free from logic; beyond logic


20 words

  • Interdisciplinary paper author is a fable concurrent with his life where the energy is applied to complete his own ideas.

10 words

  • Interdisciplinary person has ideas and work concurrent with one’s life.

5 words

  • Ideas are concurrent with life.

4 words

  • Ideas are our life.

3 words

  • Ideas are life.

-Jia Hui Huang